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The Reconstruction and New Making Use of the Chateau in Moravský Krumlov
Jochcová, Barbora ; ČKAIT, Petr Kunc, autorizovaný inženýr (referee) ; Vojtová, Lea (advisor)
The study deals with the castle of the Moravský Krumlov and the former stables located nearby. The main purpose of this thesis is the reconstruction of the whole mansion, the renewal of its life on a daily basis and the avoidance of a complete dilapidation of the building. The chateau is being used multifunctionally, emphasis is added to the Slovanská epopej by Alfons Mucha, the artwork which represents the successful historical period from the past. The major part of the building is occupied by a gallery and an exhibition, which brings us to so called artistic incubator, another part of the chateau which was designed to provide sufficient background as well as enough place for acommodation . The castle also offers a hall for holding cultural events and receptions, free time activities centre and several appartments. The building of the stables is being used as a restaurant and an accomodation. The integral part of the whole area is also the courtyard , surrounded by ramparts (walls), where brand new exhibition entitled Příběh epopeje is about to be made.
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The ideal exhibiting concept for Alfons Mucha's Slavic Epic
Belasová, Kristýna ; Jarošová, Markéta (advisor) ; Bendová, Eva (referee)
This thesis focuses on Alfons Mucha's Slavic Epic from a curating point of view. It aims to determine and define the ideal ways on how to exhibit the large-scale paintings. This thesis follows up on numerous architectural studies that repetitively aimed to find the ideal space to accommodate the Slavic Epic cycle. It researches the rich history of exhibitions of the Slavic Epic and highlights the positive and negative aspects of said expositions. This thesis highlights the problematics of large format artworks and the optimal ways of presentation. It determines the target group audience and follows up with the specific means on how the display could be adjusted for said audience. Lastly, the author presents the Slavic Epic as a unique artwork of national significance. The goal of this thesis is to present a universal concept for an exhibition of the Slavic Epic. This concept could later serve as a template for future expositions.
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The Slavic Epic as a task of architecture
Hromádková, Barbora ; Czumalo, Vladimír (advisor) ; Vajčner, Jiří (referee)
The work at hand deals in a broader way with the placement of the Slavic Epic from an architectural point of view. The author first focuses on the role of historical monumental canvases in relation to the formation of the national identity and looks in this respect at some Czech monumental canvases before the Slavic Epic was painted. Another chapter deals primarily with the Slavic Epic. It presents a detailed view on a difficult process of finding a tailor-made exhibition space for the monumental canvas from the point Alfons Mucha started with its painting until the present time. It also shows specific demands on a building in which the Slavic Epic should have been placed. The next chapter presents all projects that have been made so far to build a new exhibition space for the Slavic Epic. Based on the analysis of this work the final chapter describes author's own ideal proposal of a complex architectural solution of the exhibition space which also encompasses exhibition management and marketing.
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Alfons Mucha: The Slav epic: The question of housing the artwork
Sýkorová, Pavla ; Půtová, Barbora (advisor) ; Hoftichová, Petra (referee)
In this bachelor's work, there is presented a cycle of paintings called the Slav epic and its author, Czech painter Alfons Mucha in the context of the times, when the paintings were made until now. The work relates to the problem of the installation of these paintings which goes along with the cycle from the times of its origin until now and still isn't solved. This question is analyzed according to contemporary sources and how it is presented to Czech public in the media in last five years as well. Zbiroh chateau is presented in this work as a place where many of the paintings were made, furthermore U Studánky school where were the paintings until the WW2. Emphasis is put on transport of the Slav epic to Moravský Krumlov, its storage and exhibition on local chateau. Main part of the work is focused on the cause of moving the Slav epic from Moravský Krumlov to Prague. Arguments of both sides are presented here how they were shown in the media and this way the history of the cause which is closed for now by showing of the Slav epic in Veletržní palace.
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The Reconstruction and New Making Use of the Chateau in Moravský Krumlov
Jochcová, Barbora ; ČKAIT, Petr Kunc, autorizovaný inženýr (referee) ; Vojtová, Lea (advisor)
The study deals with the castle of the Moravský Krumlov and the former stables located nearby. The main purpose of this thesis is the reconstruction of the whole mansion, the renewal of its life on a daily basis and the avoidance of a complete dilapidation of the building. The chateau is being used multifunctionally, emphasis is added to the Slovanská epopej by Alfons Mucha, the artwork which represents the successful historical period from the past. The major part of the building is occupied by a gallery and an exhibition, which brings us to so called artistic incubator, another part of the chateau which was designed to provide sufficient background as well as enough place for acommodation . The castle also offers a hall for holding cultural events and receptions, free time activities centre and several appartments. The building of the stables is being used as a restaurant and an accomodation. The integral part of the whole area is also the courtyard , surrounded by ramparts (walls), where brand new exhibition entitled Příběh epopeje is about to be made.
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